The Mothertongue Project’s, Womb of Fire is the starting point for an examination of the performing female body as the site of disruption where the body itself challenges the borders and boundaries of the body politic. The play uses a non-Western mythical frame that is fleshed out and localised through historical and personal intersections.
The UCT Drama Department are proud to be co-convenors of the academic programmes for the International Theatre for Young Audiences Research Network (ITYARN) Conference, and the ‘Cradle of Creativity’, 19th ASSITEJ World Congress and Festival – the first of its kind on African soil.
The UCT Drama Department is proud to present our nine Fourth Year Theatre-Makers’ adaptations of nine African short stories as they attempt to explore the manifold experiences of becoming in contemporary Africa,
Adapted from Aeschylus’ great tragedy, Berkoff’s version of Agamemnon is about revenge, heat and battle, fatigue, the marathon, the obscenity of modern and future wars, dislocation and the abandonment of love in a thankless and unyielding world. It is also about the body, its pleasures and pains, and the power of desire.